Lifelong Bushwick resident Joe Ficalora, 35, runs his family's steel business, and always thought art was "this [bourgeois] rich s–t for museums."
But after losing his mother to a brain tumor in 2011, a devastated Ficalora threw a neighborhood party the following year to raise money for children with brain tumors, and asked some prominent street artists to paint a few local walls.
This evolved into the Bushwick Collective, Ficalora's landscape-changing effort to turn Bushwick into a diverse, massive outdoor art gallery. "When I see something I love, and I see how the artists live their lives," says Ficalora, who refers to himself as an "accidental curator," "I'm inspired by it." This is his Bushwick street art New York.
Work by Buff Monster, The Yok, Sheryo, Tristan Eaton, Nychos and L'Amour Supreme, 444 Jefferson Street, at Wyckoff Avenue
Photo: Brian Zak
Many artists, like rappers, work under invented monikers. This work was a one-day collaboration between six of them.
"This was like an impromptu hangout — we had food, and people were skateboarding and playing soccer. It was like a family barbecue," says Ficalora. "Nychos did his [separated skull art] in two hours. The others were still laying out colors, and one of them said, 'Where's Nychos?' And someone else said, 'He's giving us time to catch up.' If you look at The Yok's work [smoking skull art], look where the spine comes from — the Piña Colada glass. That's a collaboration. There was no sketch for this — it was start here, start there."
Work by Case Maclaim and Pixel Pancho, 447 Troutman Street, between St. Nicholas and Cypress Avenues
Photo: Brian Zak
Work by Mike Makatron, 1850 Troutman Street, at Onderdonk Avenue
Photo: Brian Zak
Work by Sexer, 454 Troutman Street, between St. Nicholas and Cypress Avenues
Photo: Brian Zak
Work by Nychos and Smithe, 414 Troutman Street, between Wyckoff and St. Nicholas Avenues
Photo: Brian Zak
"It's very hard to find people with the same styles," says Ficalora. "They had never met, never had a sketch — there was no planning behind this. They had always looked forward to meeting each other. I'm grateful that the Bushwick Collective was able to provide that."
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