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Changes at Domino take effect

Written By Unknown on Rabu, 04 Juni 2014 | 10.46

Michelle Adams, who was editor-in-chief of the relaunch of Domino, is packing it in and heading back to Michigan.

The print and online editing jobs that she was doing will now be split in two.

Robert Leleux is the new editorial director of the print version, which is a 200,000 circulation quarterly. He had been Domino's creative director and the former managing editor of Lonny, the popular online shelter zine that was started with Adams.

Krissy Tiglias, the new digital director of Domino, was previously deputy editor of Real Simple.com.

Domino Media is minority owned by Condè Nast, which had been the original publisher of the magazine when it folded in 2009. It was brought back to life last year, with a handful of venture backers and Condé Nast in a minorty role.

It is housed on West 39th Street, not at Condé's headquarters and as such won't be relocating.

Publisher and Chief Revenue Officer Beth Brenner said that the magazine will probably be increasing frequency in 2015 and has recently begun accepting subscriptions for the first time through its website at the same price as the newsstands: $48 a year for four issues.

Domino CEO Cliff Sirlin said that the company is still working on the original $6 million to $7 million that was put into the company by himself and two other individuals, Andy Appelbaum and Aaron Wallace, as well as the venture firms Launch Capital and iNovia.

The company is still in the investment stage, but Sirlin predicted revenue in 2014 would land between $5 million and $10 million. "We'll be profitable definitely in year two," he said.


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No better place to win than NY, just ask the ’94 Rangers

LOS ANGELES — Adam Graves was standing at the very top of Madison Square Garden a few months ago, high enough where it felt like he could reach out and touch the pinwheel roof, high enough he was practically eye level with a sight that always manages to make him take pause.

"Look at that," he said, "will you?"

It was his number, 9, which hangs in the Garden's rafters alongside the team's other forever 9, Andy Bathgate, and the six other numbers that have been retired from circulation. Graves shook his head and quite literally had to compose himself because it is a thing that, quite literally, takes his breath away.

"I see that, and I see the other names," Graves said that day, with a smile that damn near melted the ice four stories below, "and I ask myself: what are YOU doing up there?"

It is quite simple, of course: 20 years ago Graves and three other names and numbers flanking him in the ceiling from his blue crew — Mark Messier's 11, Brian Leetch's 2 and Mike Richter's 35 — won a Stanley Cup championship, outlasted the Vancouver Canucks in a gritty seven-game series, delivered generations of Rangers fans to the mountaintop…

And have been celebrating ever since.

Been celebrated ever since.

"It goes without saying that not a day goes by without somebody telling me how much that Cup meant to them," Graves said. "But I'm not lying when I tell you that rarely a few HOURS go by without someone wanting to share that. It's incredible, how much that means. And still means."

Ours is a demanding town. Ours is an exacting town. We boo you when you strike out, and we kill you when you throw an interception. We are quick to fire you when we think you've lost your team, quicker to exile you when we think you've lost a step. Maybe it shouldn't be that way. Tough. It IS that way. Babe Ruth was booed. Joe DiMaggio was booed. Phil Simms was booed. Clyde Frazier was booed.

But here's the thing: we are also a town that will embrace you forever if once, just once, you prove yourself equal to our expectation. You win a championship? It doesn't matter if you're a star (Joe Namath, Eli Manning, Tom Seaver, Willis Reed) or a sub (Phil McConkey, Art Shamsky, Mike Riordan, Brian Doyle), you'll never buy a beer in this town again, never buy a meal with your own money, and never walk more than two blocks without the love of a grateful city parting your path.

"Winning here isn't like winning anywhere else," said Reggie Jackson, who knew about winning like few athletes do. "It's amazing, times a thousand."

So that is what awaits these 2014 Rangers, if only they can win four games across the next 14 days in any combination, using as much or as little as this Stanley Cup final as necessary. For now, for many, these are just anonymous names found mostly in agate type — Moore, Zuccarello, Richards, Girardi, Boyle — with a few bold-faced names — ST. LOUIS! LUNDQVIST! — sprinkled in.

Get those four wins, though?

"Your legacy," Graves said, "is written in concrete."

Or in cloth. Graves was a terrific player, and he scored 52 goals for those '94 Rangers; Vic Hadfield was essentially the same player. Brad Park (Hall of Famer, 14 All-Star games) had essentially the same career as Brian Leetch (Hall of Famer, 15 All-Star games, two Norris Trophies (without Bobby Orr perennially in the way, as Park had).

But Hadfield doesn't share 11 in those eternal rafters, and Park doesn't share 2 with Leetch. Why? Because unlike those '94 Rangers, the '72 club that captured so many imaginations and spawned so many hockey fans couldn't seize on its one chance at the Cup, falling two games shy against the Bruins.

Make no mistake, that '72 team and those players are still warmly received when they come back to the Garden, same as the '79 team is. They are still cornerstones of the Rangers' history book. But there IS a difference. Yes, ours is a demanding town. But you give us a reason to love you, we can become Tuscaloosa in a big hurry.

And we stay that way forever.


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Hunger Games’ salute used as protest in Thailand

BANGKOK — The three-finger salute from the Hollywood movie "The Hunger Games" is being used as a real symbol of resistance in Thailand. Protesters against the military coup are flashing the gesture as a silent act of rebellion, and they're being threatened with arrest if they ignore warnings to stop.

Thailand's military rulers say they were monitoring the new form of opposition to the coup. Reporters witnessed the phenomenon and individuals were captured on film making the raised-arm salute.

"Raising three fingers has become a symbol in calling for fundamental political rights," said anti-coup activist Sombat Boonngam-anong on his Facebook page. He called on people to raise "3 fingers, 3 times a day" — at 9 a.m., 1 p.m. and 5 p.m. — in safe public places where no police or military are present.

The gesture emerged over the weekend as protesters joined small flash mobs, or stood alone, flashing three fingers in the air.

"We know it comes from the movie, and let's say it represents resistance against the authorities," Col. Weerachon Sukhondhapatipak, a spokesman for the junta, told The Associated Press.

An anti-coup protester gives a three-finger salute as soldiers keep eyes on him from an elevated walkway near a rally site in central Bangkok, Thailand.Photo: AP

"If a single individual raises three fingers in the air, we are not going to arrest him or her," he said. "But if it is a political gathering of five people or more, then we will have to take some action."

"If it persists, then we will have to make an arrest," he said.

In "The Hunger Games" movie series and book trilogy, the salute symbolizes rebellion against totalitarian rule, signifying thanks, admiration and goodbye to a loved one. But Thai protesters gave varying explanations. Some cited the French Revolution's trinity of values: liberty, equality, fraternity. Others said it means freedom, election and democracy.

A photo montage circulating online paired a picture from "The Hunger Games" with a graphic of three fingers labeled, 1. No Coup, 2. Liberty, 3. Democracy.

While the strife-imitating-art nature of the phenomenon is extraordinary, it's not unprecedented. Other examples of pop culture symbols being used to express political sentiments include Occupy protesters wearing the Guy Fawkes mask from the "V for Vendetta" movie. The practice of tying a yellow ribbon as a symbol of support for hostages, missing soldiers or prisoners was popularized in part by the song "Tie a Yellow Ribbon Round the Ole Oak Tree" that topped the charts in 1973.

"The Hunger Games" films have been popular in Thailand, but not unusually so. The last film, "The Hunger Games: Catching Fire" made $3.3 million last year, which ranked eighth among 2013 releases. The 2012 film "The Hunger Games" made $2.1 million, ranking 17th that year.

A spokesman for the film distributor Lionsgate said the company was aware of the Thai protest but had no comment.

Human Rights Watch's Asia director Brad Adams decried the junta's threat against the peaceful salute, saying the "Thai military's assault on basic human rights has apparently grown to not only target peaceful protesters, but now also silent ones as well — since now just holding up an arm with a three-finger salute is enough to earn the junta's ire."

___


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Has Ansel Elgort become a sex symbol?

Until recently, Ansel Elgort was primarily known as the son of Vogue photographer Arthur.

Now, after being discovered by Hollywood, the 20-year-old has become an overnight sex symbol.

Crowds of female fans surrounded the Ziegfeld for a premiere of his latest movie, "The Fault in Our Stars," chanting his name.

Two held a sign stating, "We have an Ansel Elgort fetish."

Another creepily declared, "Lonely . . . teenagers seek the butt of Ansel Elgort." Security kept them from jumping over the barricades.


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Quiksilver shares take a big dive due to discounting

Major bummer to be a Quiksilver investor.

Shares of the surf-and-skate retailer totally wiped out Tuesday, losing more than 40 percent of their value after the company revealed seriously lame quarterly results.

Discounting has been a massive problem, as wallet-conscious surfers and skaters — or teens just craving the look — have refused to buy any board shorts, tees or tank tops that haven't been marked down severely, Quiksilver CEO Andy Mooney lamented.

"It doesn't matter if it's high-end department stores like Macy's or a mom-and-pop" surf-and-skate shop, a deflated Mooney said on conference call late Monday. "[Shoppers] are very price aware. They're looking for promotions and for price."

While a pair of Quiksilver's board shorts might get priced at $60 in a speciality store, H&M might charge $20 for a similar offering, Mooney said.

"That is a significant chasm," he said. "We don't intend to be at $20, but we probably have to be much less than $60."

A Tuesday freakout on Wall Street left Quiksilver's market capitalization, which had been about $1 billion on Monday, at just $579 million. The shares closed at $3.41.

That was a major embarrassment for analysts, including Goldman Sachs, which had advised investors to buy Quiksilver shares ahead of Monday's earnings announcement, arguing they were worth $9.50 a share.


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Group M deal could mean new revenue for TV networks

Written By Unknown on Selasa, 03 Juni 2014 | 10.46

The TV industry could reap hundreds of millions of dollars in new revenue after one of the biggest buyers of media on Madison Avenue inked an innovative new deal with the big four networks.

Group M, which negotiates for clients including Unilever and American Express, has agreed to pay for ads that people see in playback mode up to seven days after they air.

The move is a giant shift, since current deals are based on viewership garnered within the first three days.

Such deals are known as C3 — and will be recognized as C7 moving forward.

The shift is part of a movement by all TV networks to standardize how they are paid for viewing across-the-board as mobile and VOD viewing grows.

"This is a step in the right direction but it's a baby step," one broadcast insider told The Post.

"What is most helpful is to have all the gross ratings points in the market more accurately measured," the insider said. "What we are looking for is the total picture."

WPP-backed Group M wasn't immediately reachable for comment.

The move may be followed by other buying groups, though it isn't immediately clear. Group M represents around 25 percent of US TV ad spending.


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John Muller is returning to Ch. 11

Exclusive: John Muller is returning to Ch. 11 to co-anchor the station's 5 and 10 p.m. newscasts, where he will be reunited with Tamsen Fadal.

Fadal's current co-anchor, Scott Stanford, will become the station's lead sports anchor as Ch. 11 makes a move to increase its sports coverage.

Muller, who was one of the original co-anchors of "The WB11 Morning News" when it launched in 2000 — he worked alongside Fadal for three years in various iterations — left Ch. 11 in 2011 for ABC News, where he's anchored "World News Now" and "America This Morning" while also serving as a fill-in news reader on "Good Morning America" and as an ABC News correspondent.

Muller's return to Ch. 11 is targeted for Monday, June 23 — the same day Stanford moves to the sports desk.

"I sat down and thought about how crazy my life has been — 15 of the last 17 years I've been working the early mornings or overnights," Muller says. "To be the main anchor in prime time … and the prestige that comes with it, that's clearly my priority.

"ABC was wonderful and I will forever be grateful that I saw the network. It was everything I wanted," he says. "It would be fair to say that leaving ABC … is something I will probably think about every day of my life.

"And on the heels of that, without a doubt, I need to get more than four-and-a-half hours of sleep a night. It's a win/win on both fronts."

"I knew John from his earlier stints and was a fan of his overnight work at ABC and the stars aligned," says Mark Effron, VP/news director of WPIX. "This is also happening at a time when we're playing much more aggressively in sports, and with Scott heading up our revitalized sports effort … to have someone with his ability to be our front person on that … we're very excited."

Last, but not least …

Busy times for comedian Chris Distefano (MTV2's "Off the Bat," "Guy Code"). His Comedy Central special "The Half Hour" (also featuring Michael Che) premieres this Friday night. Distefano also makes his Carolines on Broadway headlining debut this Thursday through Sunday.

Christian Borle, Megan Hilty and Tom Cavanagh will be in Times Square Tuesday at 2 p.m. to promote Disney Junior's first original movie, "Lucky Duck," premiering June 20 (7 p.m.).

Reegency: Regis Philbin is slated to attend the release party Tuesday for Tom Cantone's tome "Book 'Em" (1 p.m.) at the Friars Club.

"Power" (50 Cent) premieres 9 p.m. Saturday on Starz.

TBS has ordered a third season (eight episodes) of "King of the Nerds," airing this fall with hosts Robert Carradine and Curtis "Booger" Armstrong.

"Reel Talk Live," with host Mike Salk, premieres Sunday (10 p.m.) on Nat Geo after the season finale of "Wicked Tuna."

Thursday: Judy Sheindlin ("Judge Judy") receives the 2014 Mary Pickford Award at the Heroes of Hollywood Awards lunch at The Taglyan Cultural Complex in Hollywood.


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Movie figures garnering little action at toy stores

The US toy industry has a problem, and it's called "action-figure fatigue."

Toy sales tied to a trio of summer blockbusters — "Transformers: Age of Extinction," "The Amazing Spider-Man 2" and "Captain America: The Winter Soldier" — are off to a sluggish start, one analyst said.

This is despite that two of the films — "Captain America" and "Spider-Man" — are producing smashing box office results and already rank No. 2 and No. 3, respectively, this year. "Transformers" opens June 27.

But merchandise associated with the flicks is languishing at big-box retailers like Walmart, Target and Toys 'R' Us and is the subject of markdowns that are unusually steep considering it's so close to their initial release, says BMO Capital Markets analyst Gerrick Johnson.

That's because young boys' toy boxes are already brimming with gear from a host of previous movies filled with the same superheroes, he says.

"You've got all these action figures chasing mind-share, and they've all got the same backstory and the same characters," Johnson told The Post. "Every kid already has Spider-Man and Captain America."

The toys licensed around the next "Transformers" film is nearly 50 percent below levels seen before the release of the previous franchise film in 2011, Johnson notes.

Shares of toy-making giant Hasbro, which holds the Marvel licenses, tumbled nearly 3 percent Monday, to close at $52.18, after the release of the BMO report.

On the positive side, Johnson said merchandise tied to less-heavily milked franchises is doing relatively well.

Sales of girls' toys from Disney's blockbuster "Frozen" have been brisk for Mattel. Jakks Pacific has seen hot demand for its 24-inch Godzilla action figure, he said.


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1 Vanderbilt: High on Grand Central

Rendering of 1 VanderbuiltPhoto: Kohn Pedersen Fox Associates

That's a beaut of a plan the city and SL Green came up with for 1 Vanderbilt, a 65-story tower likely to be anchored by TD Bank, which would spearhead the long-term rezoning of all of East Midtown.

At a stroke, it would bring the Grand Central Terminal area a new skyscraper for the first time in decades. It would dramatically reverse the perception that companies have ceased setting up their headquarters in the area even as many have moved out.

But will it win the blessings of Community Board 5, the City Council, especially of Council member Dan Garodnick, who killed an earlier rezoning scheme?

What about Manhattan Borough President Gale Brewer, a micro-manager who imposed a confusing tangle of storefront rules on the Upper West Side?

And even if all hands love the 1 Vanderbilt plan, how long might it be before the bankers could move into their fancy new digs?

The proposal was rolled out with fanfare last week. City Planning Commission chair Carl Weisbrod hopes to begin the public review process in the fall and see it approved by spring.

Weisbrod is a master at getting things done. In the first test of his new role, he successfully steered the Domino Sugar site project in Williamsburg through the City Council after a few tweaks to the original plan.

But Midtown Manhattan's a tougher animal, with innumerable special-interest groups and "stakeholders" all squealing for a say. The city and SL Green clearly intend a full-court press: The project is being represented by BerlinRosen, the influential public relations/consulting firm that helped Bill de Blasio win the mayoralty.

The plan would replace the whole block bounded by Madison and Vanderbilt Avenues and East 42nd and 43rd streets, now occupied by four midsize prewar structures, with a 1,200-foot-tall, 1.6 million-square-foot tower designed by Kohn Pedersen Fox.

It would be twice as large as current zoning allows. To fully exploit new size rules for Vanderbilt Avenue, SL Green would need to transfer air rights from 110 E. 42nd St., the former Bowery Savings Bank building it owns nearby, and deliver a $200 million package of public benefits in and around the new tower.

Unlike the aborted rezoning scheme proposed under former Mayor Michael Bloomberg, which called for developers to pay into a city-managed District Improvement Fund, the "Vanderbilt Corridor" proposal would not require developers to pay the city.

Rather, SL Green would pay for and create the promised public improvements, to be worked out in consultation with city agencies and the community. The tower could not be occupied until those amenities were actually finished and put in use.

But first, the four buildings now on the block, comprising more than 1 million square feet, must be emptied of office and retail tenants — which can't be done overnight.

Next, they must be demolished. Brewer recently said she wants Landmarks Preservation Commission review to demolish buildings 50 or more years old; all four structures went up in the 1920s.

Then, given the complexities of Midtown infrastructure, completion of the public amenities could be years away, even if SL Green were to start work in late 2015.

The upgrades would include a direct underground connection to Grand Central Terminal, a ground-floor public lobby including a train arrival and departure board on the 43rd Street side, and a pedestrian plaza between 42nd and 43rd streets.

Plus, unspecified pedestrian-flow improvements in the overcrowded Grand Central subway station require cooperation with the MTA.

So, while 1 Vanderbilt has been described as the "fast-track" portion of the larger-scale rezoning eventually planned for the whole 73-block East Midtown district, it might be a track with lots of yellow lights along the way.


SL Green has a contract to buy 719 Seventh Ave., a low-rise corner building now home to a deli. It will be razed for a modern 3-story retail structure of 25,000 square feet, said SLG managing director Brett Herschenfeld.

The price of the purchase was not disclosed.

The site is on the same block as the planned new Marriott Edition Hotel.


The merger of Studley with Britain's Savills plc closed on Monday. Savills will pay Studley up to $260 million through a combination of cash, new Savills shares and promissory notes.

The merger is expected to strengthen Studley's clout in Europe and Asia while bolstering Savills' US presence.


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10 best and worst dressed at the CFDA Awards

The CFDA Awards are one of the biggest fashion events of the year, when the famous and stylish regale each other on being famous and stylish. Somewhere in the mix, talent is honored.

Smaller than the Met Gala (and notably non-thematic), the annual insider ceremony doesn't leave much room for over-the-top catastrophes.  As such, most at Monday night's ceremony looked perfectly fine.

There were some standouts, however, and even a few who fell short.

The good:

Rihanna

Photo: Getty Images

We're not always 100 percent sold on Rihanna's fashion escapades, but the singer showed up to accept Style Icon of the Year looking the closest to that she ever has. The "fabric" involved came courtesy of designer Adam Selman. Everything else was all Robyn Rihanna Fenty.

Mary-Kate and Ashley Olsen

Photo: WireImage

The Row founders are 27 going on 72 and always the chicest ones around, period.

Lupita Nyong'o

Photo: Getty Images

Nyong'o kept it relatively casual in a jumpsuit by Suno, as if to say "let me give some of these other girls a chance." Bless.

The not-so-good:

Blake Lively

Photo: Gettty Images ; Reuters

What could have veered impressively into "Valley of the Dolls" territory with this '60s-ish Michael Kors shift Lively served up as busted Barbie doll blandness.

Chrissy Teigen

Photo: FilmMagic ; Startraks

Earth to Teigen, this is an award ceremony, not a job interview. Take your all-purpose nude pumps and get the hell out of here.

Emmy Rossum

Photo: WireImage

This could have been OK, but the pea soup coloring is off-putting.

The bad:

Chanel Iman

Photo: WireImage ; Getty Images

What '80s pageant did you just come from, Chanel, and why do you look so puffy?

Busy Phillips

Photo: WireImage

The dress is whatever; the real problem is the necklace that needs to be ripped off her neck.

Coco Rocha

Photo: Getty Images ; Startraks Photo

The campiness of the outfit wouldn't be as bad if the model didn't look as brittle as chalk.

The laughable:

Chris Kattan

Photo: WireImage ; Getty Images

But he was clearly going for that, so let it be.
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